[mmtl-row][mmtl-col width=”1/1″][mmtl-text][mmtl-row][mmtl-col width=”1/1″][mmtl-heading level=”2″ id=”” class=”” align=”center” space=”medium”]Stay updated here for our numerous co-founded and co-hosted projects and events, as well as for cooperations with our partners in the different fields of art and culture. Enjoy an insight in our work with partnerships, creating networks and offering cultural spaces.[/mmtl-heading][mmtl-text][mmtl-row bg_image=”” bg_repeat=”” bg_position=”” bg_size=”” id=”” class=””][/mmtl-col][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”]

[/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”medium”]Audio-visual project titled ‘To Her, From Him’ by Michael Matovu[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]

We are happy to announce the winner of the second “Small Project Grant” 2019: Michael Matovu. He will be using the 2.000.000 UGX to create an audio, visual and interactive project titled ‘To Her, From Him’. Michael was developing this project since the start of 2019 – The project is comprised of a 4 song musical EP with accompanying visual content, a short film/documentary, as well a series of group conversations and discussions between Michael – the producer – and a public audience. The project is themed around gender equality, equity and the celebration of women. [popup_anything id=”4152″] [/mmtl-text][/mmtl-col][/mmtl-row]

[mmtl-row bg_image=”” bg_repeat=”” bg_position=”” bg_size=”” id=”” class=””][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”] [/mmtl-text][mmtl-icon][/mmtl-icon][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”medium”]Cookbook about Ugandan cuisine by Jonathan Kabugo[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”] Goethe Zentrum Kampala is really happy to announce the winner of the first “Small Project Grant” 2019: Jonathan Kabugo. He will be using the 2.000.000 UGX to create a cookbook showcasing various foods, dishes and traditional cuisines from East, West, North and Central Uganda. This book preserves the time old traditions of preparing, cooking and dining as in the old times through pictures and light story telling. Jonathan’s motivation comes from the fact, that the majority of people, who live in Uganda are youth, but they are very much out of touch with their roots, their ways and take up foreign cultures faster than they eat Rolexes. This cookbook will be a way to not lose the Ugandan values and way of life in this chaotic unhinged social media lifestyle young people are adopting to and to encourage young people to innovate with basis of roots and unique approach to dining as it was. [popup_anything id=”4066″] [/mmtl-text][/mmtl-col][/mmtl-row]
[mmtl-row][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”] [/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”small”]Kampala Design Week’s “Design Garage” at Martyr’s University Uganda[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]

The Design Garage, a project, co-funded by Goethe Zentrum Kampala’s Small Project Grant, has its mandate to Resource the Community of Designers, students of design, as well as Professionals in various fields of design. As part of Kampala Design Week, the Design Garage intends to achieve these aims through monthly sharing workshops – about sharing thoughts and ideas among designers and entrepreneurs, to grow the greater knowledge and challenge preconceptions. By analyzing current trends, the Design Garage brings them to light for the community to make their own decisions. This achieves a resourcing of the design community, especially in institutions of learning, always with the ultimate principle of “thinking about thinking”!

At the 22nd February, one of Design Garage’s talks was hosted at Martyrs University, Uganda. Charity Mugasha, who handels Andela Uganda’s Talent Development Operations and recruitment of fellows, gave the speech in front of the students. [popup_anything id=”4038″]

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[mmtl-row][mmtl-col width=”1/1″][mmtl-text][mmtl-row bg_image=”” bg_repeat=”” bg_position=”” bg_size=”” id=”” class=””][/mmtl-col][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”] [/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”small”]Filmscreening: “Ndi Mulungi Mu Langi Yonna. I am Beautiful in every Shade” by Ana Scheu Amigo[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]
Goethe Zentrum Kampala/ UGCS was very happy to host the film of swiss Filmmaker Ana Scheu Amigo’s Debut film “Ndi Mulungi Mu Langi Yonna. I am Beautiful in every Shade” at the GZK/ UGCS Conference Room on the 19th February 2019.
The Documentary film is portraying four people with albinism living in Kampala. What started as a field research for her Anthropology studies, was soon accompanied by film clips of Day-In-The-Life-Scenes and Interviews which Ana then put together to a Documentary Movie. [popup_anything id=”3971″]

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[mmtl-row bg_image=”” bg_repeat=”” bg_position=”” bg_size=”” id=”” class=””][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”] [/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”small”]„YOUR HEART HO! Letters from the shuttle. Letters to the metropolis”[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]

Canon Griffins Exhibition, a word play, “straight up (…) and going for the middle ground” between the words “Ahoy!” – (“the cry of carriage men”), and “Hoe” – (“a camaraderie thing between “hookers””) offered a photographic insight into Ugandan streets and their slogans. In his exhibition, Canon Griffin picked up these phrases, slogans and sentences and brought it forth through photography to an art seeking audience – spoken word from the bumper-sticker artist or the lamentation of the taxi owner:

“The words on the Taxi or car or Boda-Boda or T-Shirt are trying to hook you into the story or ideology of whoever had them inscribed there. They are asking you to go to Kawempe Maganjo Kagoma, but the words are asking to go to your heart. Whether it’s “Kun FayaKun” or “Ave Maria” or “Bitokote Again” …” (R. Canon Griffin)

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[mmtl-row bg_image=”” bg_repeat=”” bg_position=”” bg_size=”” id=”” class=””][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”] [/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”small”]”Return to Sender”[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]

After 90 minutes of heart-warming, whilst thrilling, somehow saddening, yet entertaining and thought-provoking handmade poetry, Goethe’s rooftop was bursting into standing ovations. “Return to Sender” by Gloria Kiconco, a versatile poet and lyricist from Kampala, may be considered as one of Goethe Zentrum’s most appreciated events. The interactive poetry performance and illustration exhibition that took place on the 28th of July, reflected on power in the family and the church. “Return to Sender” thereby is a term usually associated to the postal system to indicate a letter (or mail) that the receiver returns without taking notice. By detaching it from its context, Kiconco uses this phrase as a metaphor for rejected conversations, unacknowledged truths and questions that persons in power do not want to engage with. Thus “Return to Sender” is an ongoing exploration of power that borrows the structure of a church service to explore rejected conversations in those spaces, who is on which side of the rejection, and what gender has to do with it. Illustrations inspired by and inspiring Kiconco’s poetry where exhibited by Liz Kobusinge, whose works were also being presented as a zine released on the same day. After the performance FyaLeBoof turnt the evening into a Rooftop Sundowner.

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[mmtl-row bg_image=”” bg_repeat=”” bg_position=”” bg_size=”” id=”” class=””][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”] [/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”small”]”Kikommando” by Elizabeth Pamela Acaye[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]

On the 16th of July, Goethe’s rooftop terrace was the stage for the premiere of ‘Kikommando’, a Dance Theatre Production created and choreographed by Elizabeth Pamela Acaye. During a two-week creative residency with four dance artists from Uganda, hosted by The Theatre Company of Kenya (directed by Keith Pearson) at Karichota retreat, Acaye has carefully designed the performance outlines which traverse cultural motifs and query gendered movements through choreography, spoken-word and costume. On this aforesaid Saturday evening societal issues were being reinterpreted through contemporary dramatic expression techniques whilst the performers could demonstrate the vast variety of their talents. By focusing on the re-crafting of traditional choreographies and on syncing them with contemporary motifs, the performance put physical bodies as conveyors of intercultural tolerance and freedom of sexuality into the center of attention. Having been equipped with wonderful costumes by Gloria Wavamunno, the artists showed off their skills and deeply charmed the rooftop terrace while asking uncomfortable questions about diversity, gender and societal exclusion. A second show took place at Design Hub Kampala on Sunday 17th of June.

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©JJumba

[/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”small”]”Ku Kyooto” by Giovanni Kiyingi[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]

Goethe Zentrum’s rooftop was fully packed when singer/songwriter and multi-instrumentalist Giovanni Kiyingi presented his new project “Ku Kyooto” on the 18th of May 2018. The project was conceptualized as the recreation of ancient spaces, namely bonfire areas (Kukyooto) where acoustic music was being played, everyday stories were being shared and history was being delivered to posterity. In former times knowledge was being transferred from one generation to the other through music, poems, sayings and riddles. Kiyingi’s performance aimed to bring people close to what used to be these specific study places of languages, manners, and the upbringing of Ugandans. During the evening the audience gradually dissolved into the vibe and atmosphere of these social gatherings, as Kiyingi used several indigenous instruments that include Endingidi, Akogo, Adungu, Amadiinda, Engoma, Janzi and Endere during his journey through times and spaces. Video: https://www.youtube.com/watch?v=VfNCL_5ws5k

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[mmtl-row bg_image=”” bg_repeat=”” bg_position=”” bg_size=”” id=”” class=””][mmtl-col width=”1/2″][mmtl-text id=”” class=”” space=”medium”] [/mmtl-text][/mmtl-col][mmtl-col width=”1/2″][mmtl-heading level=”2″ id=”” class=”” align=”” space=”small”]Bridge Works Art Camp and Performance: “Shades”[/mmtl-heading][mmtl-text id=”” class=”” space=”medium”]

On the 23rd of February 2018, Goethe Zentrum Kampala/UGCS hosted the opening night of the interdisciplinary performance ‘SHADES’, an Ugandan – German cooperation that featured more than 20 actors, musicians, artists and dancers on stage. [popup_anything id=”3899″]

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